Tonight (9/20): "Triptych (Eyes of One on Another)" at Bass Concert Hall
Tonight, Friday, September 20th at 7:30 pm, Texas Performing Arts presents Triptych (Eyes of One on Another), a performance piece inspired by the work and legacy of Robert Mapplethorpe. The event is open to the public with tickets beginning at $10 for students and $20 for UT faculty and staff.
Here's a description from the event page:Thirty years after photographer and visual artist Robert Mapplethorpe’s untimely death, it’s difficult to turn away from the compelling emotional complexity of his influential body of work. In this new performance piece, music, poetry, and photography come together in a theatrical context, exploring the impact Mapplethorpe’s work had on the lives and careers of composer Bryce Dessner (The National) and librettist Korde Arrington Tuttle. This major collaboration with director Kaneza Schaal, features the poetry of Tuttle, Essex Hemphill, Patti Smith, and others as well as the choral group Roomful of Teeth. It revisits the formative impact of Mapplethorpe’s work, inviting the audience to simultaneously experience Dessner’s music against some of the most captivating and divisive words and images the world has ever known. Through music and large-scale projection of Mapplethorpe’s images, this extraordinary work allows the audience to peer inside Mapplethorpe’s bold, insatiable view of how human beings look, touch, feel, hurt, and love one another.
What I Did On My Summer Vacation: Andi Remoquillo on Interning at the Smithsonian National Museum of American History
Each year, when UT AMS returns to campus for the fall, we ask our faculty and graduate students to report on their summer activities. First up is doctoral student Andi Remoquillo who interned at the Smithsonian National Museum of American History. Read on for research discoveries, blossoming friendships, and the best hotdog food truck in D.C.
This summer I traded Austin’s triple digit temperatures for Washington, D.C.’s swampy humidity. Regardless of the fact that I constantly looked like I just stepped out of the shower, I had an amazing time on the East Coast. I ate endless amounts of shellfish, admired the different kinds of architecture as I walked down the streets, and interned with the National Museum of American History at the Smithsonian Institution. This picture is of me in front of the NMAH, eating the first of many hotdogs I would buy that summer from the food truck on Constitution Ave.During my curatorial internship I worked with Dr. Sam Vong — a history professor at UT Austin and the curator of Asian Pacific American History at the NMAH — on his APA Women’s Labor History project. Dr. Vong started this project to expand the APA History collection and make women’s narratives more central within it. A large part of my responsibilities was conducting research on Southeast Asian refugee women and their industries in the U.S. I also contacted some of these communities in Seattle, Houston, and Long Beach to learn more about their histories, types of industries, and their communities. Lastly, I was in charge of cutting cake (and eating it).When working on the APA Women’s History project, I particularly enjoyed learning about the community of Hmong floral farmers in Seattle who sold their flowers at the Pike Place Market. Large groups of Hmong immigrants arrived in the 1970’s and 1980’s as refugees and made a living, built communities, and raised their families around floral farming. Today, second generation Hmong Americans continue to run their family farms and sell at farmers markets around Washington. However, my fondest memories from the internship had to do with the friendships I made with other Asian Americans also interning there. Spending time with them really reminded me of the importance of finding community in big institutions. We bonded over lots (and I mean lots) of food, conversations about our families and identities, and even went to see The Farewell together. So many tears were shed and tissues passed around.When I wasn’t at the internship I was out exploring other museums, trying out different food and drink spots, watching live music, and conducting my own research at the Library of Congress. I wasn’t quite sure where to start at the LOC, largely because I didn’t think they would have anything specific to Filipino women in Chicago. I’m thrilled to say, however, that I was mistaken. The Main Reading Room and Asian Reading Room had a number of documents specific to Filipinos in Chicago, such as resource guides, pamphlets, newspapers and periodicals. I found a few newspapers published in Chicago by Filipino immigrants as early as the 1940’s. Before my trips to the LOC, I had never seen documents like these that actually showed representations of Filipinos in Illinois. This gave me another exciting angle to study Fil-Am women in Chicago.Here is a picture I took of the Philippine Quarterly from 1943 and published in Chicago. I also found out that in the early 1950’s, the Philippine Quarterly began printing in Manila in addition to Chicago. In one issue of the Philippine Quarterly published in Manila, I came across an essay written by Carmen Guerrero-Nakpil called “The Filipino Woman.” This essay was the only piece that I came across in the PQ that solely focused on Filipina women. The essay was first published in a 1952 printing of the Philippine Quarterly, and would eventually become Guerrero-Nakpil’s most recognized works. In the introduction to her book of essays, Woman Enough, she talks about a white American journalist who took parts of her essay and republished it as his own in the U.S.My summer in D.C. was such a rewarding time. I got the chance to experience a new aspect of doing Asian Pacific American history in the museum context, make new professional and social connections, and discover exciting archival records that I would have never imagined working with before. I hope I can get back to D.C. soon and hit up all of these places again —the Smithsonian, the Library of Congress, and of course, my beloved hotdog food truck.
This Friday (9/20): "A Conversation with My Golem"
This Friday, September 20th, Los Angeles-based media artist Julie Weitz and dance scholar Dr. Hannah Schwadron (FSU) team up for a performative presentation about Jewish representational politics and revisionist rituals in Weitz’s portrayal of My Golem. The event is free and open to the public as part of the Performance as Public Practice program's "Fridays@2" series. The performance and conversation will take place from 2-3:30 pm at the Glickman Conference Center (RLP 1.302E). 
PhD Student Holly Genovese featured in The Chronicle of Higher Education
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UT AMS PhD student Holly Genovese recently published her article, "How to Get Started in Freelance Writing," in The Chronicle of Higher Education. In the piece, Genovese gives advice on entering the world of freelance writing and provides tips for turning academic interests into public facing work. Check it out here!
Today: Movie Screening and Panel Discussion of "Toni Morrison: The Pieces I Am"
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Join the John L. Warfield Center today, Wednesday, September 11, for a free screening of Toni Morrison: The Pieces I Am. The screening will be followed by a panel discussion with Helena Woodard, Stephen Marshall, Ya'Ke Smith, and Lisa Thompson honoring the legacy of Toni Morrison. Warfield Center Associate Director, Jennifer Wilks, will moderate the discussion.The screening will start at 5:15 pm in BMC 2.10. We hope to see you there!
A Conversation with Andrew Friedenthal (PhD 2014), author of "The World of DC Comics" (2019)
Andrew Friedenthal (UT AMS PhD, 2014) published his second academic monograph this year, The World of DC Comics (Routledge, 2019). AMS :: ATX sat down with Friedenthal to discuss the origins of the new project, the inspiration he draws from imaginary worlds, and how his training in American Studies shapes his work as a writer, playwright and critic.
1. Can you tell us a little bit about your new book, The World of DC Comics, and how you came to the project?
A major source for the theoretical backing of my first book (Retcon Game: Retroactive Continuity and the Hyperlinking of America) was Mark J. P. Wolf's Building Imaginary Worlds: The Theory and History of Subcreation. When it came time to get a pull quote for the front of the book, the publisher and I approached Mark, who was gracious enough to provide one. He then wrote to me about the new Imaginary Worlds series that he's editing four Routledge press. Spinning out of his earlier work, the series consists of relatively short academic monograph exploring various fictional worlds, ranging from Mr. Roger's "Neighborhood of Make-Believe" to The Walking Dead, Since Retcon Game dealt so extensively with comic book continuity, Mark thought of me for writing a book about the world of DC Comics.My first proposal for the book was way too broad for a small, focused text, so I tried to center in on what I thought made the world-building in DC Comics' publications unique. What I realized, then, was that this was the first fictional world to fully exploit the possibilities of a multiverse—the idea of parallel realities with similar, slightly different, and/or radically unique takes on the same world, characters, storylines, etc. So the book became a history and examination of how DC Comics has used the concept of a multiverse to tell stories that focus on legacy, possibility, and (most importantly) fun! And according to my grandmother, you can understand it even if you're not previously familiar with the comic book stories or characters I discuss and analyze.
2. What projects or people have inspired your work?
Janet Davis was my advisor at UT, and she's my primary model as a scholar. I learned from her that to interrogate popular culture means to constantly keep aware of intersectional issues of race, gender, class, sexuality, etc., and that following your personal interests, fascinations, and obsessions can be a fruitful endeavor so long as you always keep in mind the "so what" question of why these things are meaningful. As previously mentioned, I'm also very influenced as a scholar by Mark J. P. Wolf, who has sort of laid out the framework for how to interrogate large-scale fictional constructs like the DC Universe. However, I'm probably most inspired by creative works. The reason I like exploring fictional realms of such big scope is because I love escaping into the world of comic books, or Star Wars, or theme parks. In fact, perhaps my biggest inspiration is, believe it or not, the Disney theme parks. The way in which the Disney Imagineers create wholly immersive realms that pay attention to every detail never ceases to amaze me, and so I always try to bring that same sense of structure, scale, and specificity to my own work, whether it's creative, journalistic or academic.
3. How does your background in American Studies impact your writing, and your career in general?
My current "day job" is as a copywriter, which involves a mix of technical detail, attention to careful crafting of language, and the ability to think of an interconnected broader picture. These same skills are vital in my other work, as a playwright and a theater critic/reviewer here in Austin. All of that comes from the academic training I received in American Studies, a field that encourages an equal focus on both that zoomed out focus and very tiny intricacies. So it has impacted my career and my writing outside of my academic work, allowing me to look at both the large and the small scale simultaneously.
4. What advice do you have for students in our department about getting the most out of their experience at UT?
Probably my biggest advice is to not center your life around UT or the department. As much as I learned all the skills I use in my current jobs as a graduate student, a great deal of career-building comes from good old-fashioned networking. Much of my social life during my time in grad school centered around a competitive karaoke league, and I volunteered to run the league's social media. It was through that experience, and the contacts I made as a result, that I was able to get my foot in the door in the copywriting world. They say that luck is what happens when opportunity meets preparedness—grad school gives you the preparedness, but getting out there and living a life besides graduate work gives you the opportunities.
I would also say start thinking now about what kind of career you'd like to pursue besides the traditional tenure-track path. Those jobs are getting rarer and harder to get, but you can parlay your skills into so many different exciting directions, and focusing too much on just one road to success and happiness risks setting yourself up for disappointment.
5. What projects are you excited to work on in the future?
I'm currently writing a paper for an edited collection about fictional narratives inspired by tourist attractions, and long-term I want to work on a broader project about immersive entertainment, in general.
But my primary focus right now is actually on the creative side. I'm workshopping several new plays and getting started on some other creative writing projects, all of which should keep me busy for a few years before I (hopefully) return to another academic monograph.
New Episode of Dr. Lauren Gutterman’s “Sexing History” Podcast: “Canary"
The Sexing History podcast, co-written and co-hosted by UT AMS Assistant Professor Dr. Lauren Gutterman, as well as Dr. Gillian Frank, has a new episode: “Canary." You can listen to the episode here. For a short time in the 1970s, Canary Conn was everywhere. She was on television. On the radio. And on bookshelves. Her story, that of a Texas-born recording artist, husband and father who transitioned into a woman whom the media described as “young,” “lithe” and “with flowing blonde hair,” captured national attention. Although some newspaper interviews with Canary have been preserved, there are very few accessible recordings of Canary’s many public performances, or her radio and television interviews. What’s more, the trail of evidence disappears after 1980, when Canary inexplicably left the public spotlight and returned to private life. In this episode Dr. Gutterman and Dr. Frank introduce and then play a rare extended audio interview with Canary that she recorded with the magazine Psychology Today in 1977. The interview profiles Canary’s childhood, her transition, her sexuality, and her gender identity.
Meet AMS Undergrad Natalie Fisher, Honorable Mention on Dean's Distinguished Graduates List
Yesterday, we brought you an interview with Michael Ayala, a graduating senior in American Studies named to the Dean's Distinguished Graduates Honorable Mention list. Today, we bring you an interview with Natalie Fisher, UT AMS' other Honorable Mention on this prestigious list. Read on to learn about Natalie's American Studies career here at UT, as well as her plans for the future!
When you came to UT, what did you think you would major in?
When I first applied to UT it was as an Radio-Television-Film major, and it wasn’t until my sophomore year of college that I added American Studies as a double major.
What was the first American Studies course you took at UT?
The first AMS course I took at UT was intro to American Studies with Dr. Hoelscher. I took the course because it was a part of my First Year Interest Group’s bundle of classes and it ended up being my favorite class of my first semester. I really enjoyed getting to learn about American history from new perspectives and analyze American culture through different scopes of study.
Why did you decide to major in American Studies?
I decided to major in American Studies because I really liked the intro class and the faculty and grad students that I had talked to within the department. I found out that I could double major and still graduate on time and realized that there was still so much more about American studies that interested me and so many AMS classes that I wanted to take. The interdisciplinary aspects of American Studies drew me in because I had never thought about the different ways our environment and backgrounds can affect how our society is structured.
What have been some of your favorite courses in the American Studies department and why?
It is hard to pick a favorite American Studies course because I have liked all of the ones I have taken. Some of my favorites included: American Disasters taught by Dr. Cary Cordova, Rebels and Rejects taught by Dr. Lauren Gutterman, and American Utopias taught by Dr. Brendan Gaughen. All three of these classes covered interesting topics that I had little to no background and I learned a lot about different times in American history and different emerging patterns throughout American history that often repeat themselves.
What are some of the most important questions you've considered during your time in American Studies?
In Dr. Gutterman’s Rebels and Rejects course we discussed who got defined as a rebel or a reject in 1950s America. This lead to interesting discourse about who is considered a rebel or reject in today’s America, and important questions about who is included and excluded when we talk about America. Many of the important questions I’ve considered during my time in American Studies often centered around topics of inclusion and how American society is structured to benefit certain groups often at the risks of others. I’ve also spent a lot of my time in American Studies considering how we treat our land and what impact we have on shaping the physical space of where we live and how that affects more than just us personally.
How do you think American Studies might influence your career after you graduate? How has your time in American Studies influenced your career goals?
After I graduate I want to be a TV writer. I think that American Studies will definitely influence my career after I graduate. Since becoming a AMS major I have learned a lot about different areas of American history that have influenced my writing. I also think that I have learned a lot about how to research and gather sources and evidence which is a good skill to have when aspiring to be a screenwriter because I enjoy digging deeper into the stories I want to tell and ensuring I convey them with accuracy.
What advice do you have for other students considering majoring in American Studies?
Come say hi! The American Studies faculty is amazing and extremely helpful. Talking to a professor or current grad student about the field is a good way to get an idea if you would enjoy being a American studies major. If you are considering majoring in American Studies and are already a student at UT, I would advise you to take a class! Many of the AMS courses cross with other classes and can go to helping you get your diploma, and if you enjoy the class, chances are you’ll like all the classes AMS has to offer and you can change you major, or add another major confidently.
An Interview with Michael Ayala, Honored Graduate of UT AMS' Undergraduate Program
This Spring, two graduating seniors majoring in American Studies were named to the Dean's Distinguished Graduates Honorable Mention list: Michael Ayala and Natalie Fisher. Today, we bring you an interview with Mr. Ayala, an aspiring screenwriter, regarding his time at UT's American Studies' program, his favorite courses and projects, and his future plans. Enjoy!
When you came to UT, what did you think you would major in?
When I came to UT, I really did not know what I wanted to major in. I was lost until my interest in both film and history led me to both American Studies and Radio-Television-Film.
What was the first American Studies course you took at UT? Why did you decide to take the course, and what do you remember about it?
The first American Studies course I took was Introduction to American Studies with the incredible Dr. Steven Hoelscher. I took it as a requirement but looking back I feel like that class really provided me with a foundation to what I would want to do in the future. I remember engaging discussions and interesting topics that kept me involved throughout the course.
Why did you decide to major in American Studies?
My passion for film and my passion for LGBTQ+ studies really drove me to look into American Studies as a major. I found that I could use a lot of what American Studies had taught me in my own creations and further my passion for LGBTQ+ activism.
What have been some of your favorite courses in the American Studies department and why?
American Disasters taught by Cary Cordova and Rebels and Rejects: Rethinking the 1950s taught by Lauren Gutterman have been some of my favorite courses I’ve taken at UT because of their ability to push me to look deeper into topics that I have yet to discover.
What are some of the most important questions you've considered during your time in American Studies?
Some of the most important questions I have encountered in American studies are “Are stereotypes constructive?” and “How can we use the past to improve the present?”
How do you think American Studies might influence your career after you graduate? How has your time in American Studies influenced your career goals?
As an aspiring Screenwriter, American Studies has shown me that it is important to think about the entire picture when I am writing, showcasing different narratives that don’t often get their own light.
What advice do you have for other students considering majoring in American Studies?
One piece of advice that I would give American Studies majors is to keep at it. Many times the instructors will ask “Why?" and “Why is this important?” causing you to doubt yourself. However, this is not something to give up on because it is a chance for you look deep inside yourself and question the things you have previously learned. To take a second look at something before making a conclusion. Instead of giving up, American Studies majors should find their weakness in those questions and develop a more informed opinion on the world.
What We're Looking Forward To This Summer: UT AMS's Summer Plans
It's the last class day of the 2018-2019 school year, and with summer break approaching, we checked in with our UT AMS department members to see what they were looking forward to this summer. Read on to get a taste of UT AMS's summer plans.
Andi Remoquillo: I'm super excited to start my summer internship with the Smithsonian National Museum of American History; I'll be a curatorial intern for a project on Asian Pacific American women's labor history! Also looking forward to the copious amounts of shellfish I plan on consuming while there.
Jeff Miekle: On May 29 I'll be in Lisbon, Portugal, giving the keynote lecture on "Rethinking Early Plastics: The Rhetoric of New Materials" at the Plastics Heritage Congress 2019, a three-day gathering of historians, museum curators, and conservation specialists. In June, Alice and I will meet up with our daughter and 8-year old nephew in the UK for a two-week narrowboat cruise on the canals of northern England. For the rest of the summer I'll be working on my current neo-Beats book project. I've just submitted articles on Laurie Anderson and Tom Waits and need to strategize about how it all fits together (if it does).
Kate Grover: As is usually the case, my official summer plans are up in the air. But if I'm in Austin this summer, I'm looking forward to many sunny days floating around Barton Springs in my donut inner tube.
Leah Butterfield: This summer, I'm looking forward to heading to Barcelona to TA for a UT Austin study abroad course. My goals while abroad are to keep the undergrads out of trouble and engaged in their class, to make it two months in Europe without being pickpocketed, and to catch up on all the pleasure reading that I put off while studying for my oral exams. If all goes according to plan, you'll find me drinking cerveza on the beach surrounded by novels and stacks of months-old New Yorkers.
Bahar Tahamtani: This summer I look forward to reading without a highlighter, playing video games until my eyes glaze over, and bobbing in the pool with my family and friends.
Gaila Sims: I'll be working at the Bullock Museum this summer, helping with summer programming for kids and families. I'm most looking forward to the museum's Juneteenth celebration. Last year we made quilt squares with early twentieth century photographs of Juneteenth parades in Texas, and this year we will be creating our own prints based on the work of African American artist John Biggers. I really enjoy being able to share African American history and culture with the families who come visit the Bullock Museum, and it will be a nice break from writing my prospectus!
Ja'nell Ajani: I will work periodically over the summer with Six Square: Austin's Black Cultural District to curate an art exhibition and focus on special projects related to cultural preservation. This semester, I conducted research to produce a historic tour video for Six Square as a result of taking Dr. Janet Davis's Cultural History of the US Since 1865 class. It will be featured on the institution's website this summer.
Randy Lewis: This summer I'll be finishing my term as Interim Chair, though I have a few small trips planned. In late May, I am off to Detroit for a week-long workshop run by the Ex-Situ group, an experimental affect theory/cultural studies project. Our theme this year is "Structures of Anticipation" (ooo, I can't wait). A few weeks later I'll be going to Victoria BC and Seattle for a cool weather vacation with Monti. When I'm back, I'll spend some free time working on the 1955 Cree camper trailer that I bought--the interior feels like a set from Mad Men, but I want to install some retro formica and make some other improvements to my future writing studio. Later in the summer I'll be gearing up for a project about the world's largest post-apocalyptic festival--I'll be shooting a documentary in the Mojave desert for a week and editing it in the fall (I hope to have it ready by January 2020). Finally, I'm also going to be promoting the Part Time Genius album, which we recently released on iTunes, Spotify, Bandcamp, YouTube, and other platforms. In short, I'm looking forward to a happy and productive summer.